Sunday, May 4, 2014
POETRY - EROTIC: THIS IS HOW IT BEGINS
This summary is not available. Please
click here to view the post.
POETRY - EROTIC: EXCHANGING HATS
EXCHANGING HATS
Mimi
Wolske, May 2014
All Rights Reserved
There's
nothing covert in our play
On
this stage adorned by the stars;
We
share each other's repertoires
Without
trousers and negligee.
Trusted
father, much loved mother,
Favored
friends by those who know us;
They
all have so much to discuss,
But
they really shouldn't bother.
All
we have done is exchanged hats;
You
on the bottom, me on top...
It's
our roles we decided to swap,
Wolf
and hedonist on the mats.
Heteronormativity
Is
fine for those who want plain sex;
For
us, there is more that affects
Our
desire...our proclivity.
Into
the other's mind we crawl,
The
Dom and his sexual slave;
Then
the roles we agree to waive
As we
hold each other in thrall.
Intellectual Property Rights: © 1999 – 2014 Mimi Wolske/Mona
Arizona™. All rights reserved.
You may contact me concerning permissions via
email. This copyright notice overrides, negates, and renders void any
alleged copyright or license claimed by any pers on or entity, specifically
including but not limited to any claim of right or license by any individual,
group of individuals, companies and corporations, or web hosting service,
except when I have transferred such rights with a signed writing that complies
with the requirements for transferring the entire copyright as specified in
Title 17 of the United States Code. This includes, but is not limited to,
translation or other creation of derivative works, use in advertising or other
publicity materials without prior authorization in writing, or any other
non-private use that falls outside the fair use exception specified in Title 17
of the United States Code.
If you have any question about whether commercial use,
publicity or advertising use, or republication in any form satisfies this
notice, it probably does not. Violations of intellectual property rights will
be dealt with swiftly using appropriate process of law, probably including a
note to your mother telling her that you’re a thief.
POETRY - EROTIC: THIS STORM
©This Storm
Mona Arizona, May 2014
All Rights
Reserved
What
prickly air wakes me in the morning?
It
is my love with promises of a
log
thick and long to warm me to my bones,
a
string of beads to titillate close
to
the spine as lightning strikes a timbre
appeasing
his lusty song with my own,
a
warm, moist cave with its wicked snake
drawing
in the tips of mountains to furl
as
they are wrapped in waves of suckled heat,
a
fountain to fill my desirous mouth,
and
breathy words of want that make me his
as
he embraces me in this early storm.
Intellectual Property Rights: © 1999 – 2014 Mimi Wolske/Mona
Arizona™. All rights reserved.
You may contact me concerning permissions via
email. This copyright notice overrides, negates, and renders void any
alleged copyright or license claimed by any pers on or entity, specifically
including but not limited to any claim of right or license by any individual,
group of individuals, companies and corporations, or web hosting service,
except when I have transferred such rights with a signed writing that complies
with the requirements for transferring the entire copyright as specified in
Title 17 of the United States Code. This includes, but is not limited to,
translation or other creation of derivative works, use in advertising or other
publicity materials without prior authorization in writing, or any other
non-private use that falls outside the fair use exception specified in Title 17
of the United States Code.
If you have any question about whether commercial use,
publicity or advertising use, or republication in any form satisfies this
notice, it probably does not. Violations of intellectual property rights will
be dealt with swiftly using appropriate process of law, probably including a
note to your mother telling her that you’re a thief.
Friday, May 2, 2014
POETRY - ROMANTIC: Love and Attachment
Love and Attachment
Mimi
Wolske, May 2014
All Rights Reserved
There
is no doubt in my heart nor my mind;
I
feel no jealousy toward women.
I can
get envious of time you spend
with
anyone who is not me
or
any place where I am not with you.
There
is nothing negative in my soul.
Life
is good and I am optimistic.
No
one can tell you about me, my mind,
my
heart, or my love—only I know me.
If
you think I am like other women,
then
throw out your cookie cutter; I'm not.
I
don't want compliments; don't tie me down;
We
grow together as we learn about
each
other, thriving on differences.
You
thrill me each time you make another
penetration
in my artistic mind.
Our
connection is pure pleasure for us;
I
like how we complement each other.
What
an interesting combination
of
passion, friendship, and sexuality
we
have been since day one; there has never
been
or can I imagine there will be
a
dull moment for us and together
we
have our most memorable moments.
I
openly admit you can't pin me down
or
hold me down and I am about as
unpredictable
as they come; confess
you
love our roller coaster of fun. We
both
desire sex and share our creative
abilities
in our continuing
Love
affair and in our sex life. I love I
can secretly
delight you with quirky
improvisations
in our bedroom and
that
you love showing me how a plan of
action,
properly executed, will
give
me consistent results of pleasure.
It
is, however, our attachment to
each
other that is a deep and enduring
emotional
bond and it connects us
to
each other across time and space.
Love
and attachment bind us together
and
we fulfill each other's primal needs.
Intellectual Property Rights: © 1999 – 2014 Mimi Wolske/Mona
Arizona™. All rights reserved.
You may contact me concerning permissions via
email. This copyright notice overrides, negates, and renders void any
alleged copyright or license claimed by any pers on or entity, specifically
including but not limited to any claim of right or license by any individual,
group of individuals, companies and corporations, or web hosting service,
except when I have transferred such rights with a signed writing that complies
with the requirements for transferring the entire copyright as specified in
Title 17 of the United States Code. This includes, but is not limited to,
translation or other creation of derivative works, use in advertising or other
publicity materials without prior authorization in writing, or any other
non-private use that falls outside the fair use exception specified in Title 17
of the United States Code.
If you have any question about whether commercial use,
publicity or advertising use, or republication in any form satisfies this
notice, it probably does not. Violations of intellectual property rights will
be dealt with swiftly using appropriate process of law, probably including a
note to your mother telling her that you’re a thief.
SHORT STORY: Part IV of IN THE BEGINNING...
In The Beginning...
Part IV
©Mimi Wolske, March-April
2014
All Rights Reserved
I don't believe it's my destiny or that of my peoples, both the Whites and the humans, to be enslaved by the Reptilians or the Greys. Or to be used as their cattle, especially when the real cattle are awake and walking around and living and aware of the Reps and the Greys around them. My people, the Whites, are not aggressive as a race of beings, but I know they will not let members be held without putting up a fight to save them.
My mother, Sirona—this is the closest name in earth languages for the meaning of who she is—sends an army of Whites to rescue me. I despise the Reptilians and it's not because they captured me or because I'm a White.
Reptilians are base creatures who could care less what others beings think or feel. Reps are proportional in size to the humans on this planet. They have snake- and lizard-like skin and eyes. Linda Applestone was half human and she is lucky to have the thin skin of humans to disguise what she is...a Reptoid. All Reptoids, no matter what beings in the universe they are bred from, are highly advanced entities, but they are hostile and dangerous since they regard any other beings as totally inferior.
There's a battle between the Whites rescuing me and the Reptilians stationed at the food bank where I have been stored. I see the entire battle and sense the agony as some of my people are killed. The brutality the Reptilians serve is countered, but not without injuries and deaths. In the end, it's the Reptilians that are extinguished.
Whites don't hug, but hell, I'm half human. I throw my arms around the first of my rescuers and embrace his stiff body; stiff because he senses what I intend and isn't sure how to respond. It's a human way to say "thanks", and more, but the emotion is lost on the White. Sirona's voice telepathically reminds all of us there is still Ren to rescue. I don't need reminding. I haven't forgotten him.
Sirona sees where he is, but only because she can connect to him from my personal attachment to this human. Two rescuer Whites stay behind with me, I have no weapons to defend myself, while the others head for their next battle to save Ren. Above us, the battle between the Reptilians and the Greys continues; all around is the destruction caused by their battle ships being shot down and crashing into the buildings and homes on this planet.
Humans scream in terror and run without purpose or direction. There's no order here; only chaos. Many are injured and dying and no one is willing to stop and help those who need assistance. When we stop to offer assistance, they see only my two rescuers and refuse help; they point fingers and shout insults blaming us and calling us names.
Something about us never before revealed is that we don't need vehicles to travel. We just think about where we want to be and like a beam of light, we are there. More Whites are killed and more are injured in the battle to free Ren. I know before they reach us that the news is not good.
I'm crying. Well, I am half human and it's my prerogative to cry for the loss of a human who loved me but whom I never returned the words.
"He's dead, isn't he?" I think, when they bring in his lifeless body on a cot. It's obvious where the Reps put in a tube to keep him fresh until he became a snack or part of a larger meal. There's blood on that side of his neck that flowed like a river until it dried. I shed some tears, but I can hear my voice and it sounds emotionless, like he dies every day.
Their thoughts meld with my own: "You are safe but do you have injuries?"
"I am fine. How can I repay you for finding him?"
They ignore my question. "We need to return to Sirona and rid this planet of these thoughtless Greys and uncaring Reptilians," one of them says, using telepathy. Everyone's agreement is a pretty watershed moment for what will become history for Earth and its human inhabitants.
"I have a question." Those who are here with me and able to give me a look that says "anything is possible." I know the same from all who are not here with me or even here on this planet.
"Has it ever been done before? Bringing a human back to life?" I think, and they answer affirmatively and in unison.
Sirona adds, "If you had ever bothered to take time to read any of this planet's history from their religious manuals, Morgan, you would know it has been accomplished many times...but not for thousands of years."
"Why is the human so important?" one of the Whites thinks, and I know she does it for all to hear, not me alone.
"Yes, why? There are humans dying all over this planet and no one is asking for them to be brought back to life."
"He is important to Morgan, that's all any of us need know," Sirona thinks and we all hear the decision in her thought. "Morgan, let them handle bringing this Ren to us. You must fly home now. I do not want you injured or captured...again. No; no arguments, Morgan. I mean what I say."
It takes a moment of thought this time, but I think of Sirona and where she is, I become a tiny light, and in seconds I am with her.
Her kingdom is hidden somewhere north of seventy-two degrees north, forty degrees west. Humans have inhabited this area for thousands of years, but beneath the body of water around this land is where she and the Whites of this planet hide and live.
"There is a price you must pay to save this human being."
"Why?"
"It is the way. It has always been the way since these beings came to life. There was, there is, and there always will be a price for one of us to pay when a life-saving pleas is made for them. Certainly you do not expect me to hold you higher and beyond our law."
Actually, I never knew about this law. My thoughts spin wildly and I wonder for a second time in the long days of war that have passed if I am willing to give my life to save Ren. "What kind of price?"
"No. Not a life for a life."
Even if I had not been in the same room, I would know that look of victory in her expression.
"You will marry the male I choose."
"What? What kind of law is that? Is it even a law? I think you made it up! If I knew that—"
There may as well have been a victory celebration where everyone could dance...telepathically. My mother is happy to see me dissatisfied. She knows I am trapped. There is no right response for me to offer.
She thinks, "You would still ask for this Ren's life to be returned. Think Morgan. If he remains dead, you will marry who I choose, and if we give him back his life, you will be obligated to marry who I choose."
"So, I lose no matter what I choose, right?"
She turns her back and glides away from me and into a thin forest of trees that have been growing in the underwater colony longer than humans have inhabited the land above.
"If we give him life, you win, daughter. You get what you want. And, our colony on this planet wins because we all get what we want."
"What are you telling me? That everyone wants me to marry a White? Why? I am half human. Why is it you were able to be with the human you wanted and I must mate for life with a White...of your choosing?"
"There will be no more discussion, Morgan. We off you a choice."
I let my unhappiness and anger spill over into my thoughts so every living White will know and feel it. "Some choice! Give up Ren and be unhappy, or give up Ren and we both can be unhappy."
To Be Continued
Intellectual Property Rights: © 1999 – 2014 Mimi Wolske/Mona
Arizona™. All rights reserved.
You may contact me concerning permissions via
email. This copyright notice overrides, negates, and renders void any
alleged copyright or license claimed by any pers on or entity, specifically
including but not limited to any claim of right or license by any individual,
group of individuals, companies and corporations, or web hosting service,
except when I have transferred such rights with a signed writing that complies
with the requirements for transferring the entire copyright as specified in
Title 17 of the United States Code. This includes, but is not limited to,
translation or other creation of derivative works, use in advertising or other
publicity materials without prior authorization in writing, or any other
non-private use that falls outside the fair use exception specified in Title 17
of the United States Code.
If you have any question about whether commercial use,
publicity or advertising use, or republication in any form satisfies this
notice, it probably does not. Violations of intellectual property rights will
be dealt with swiftly using appropriate process of law, probably including a
note to your mother telling her that you’re a thief.
Wednesday, April 30, 2014
POETRY - LOVE/ROMANTIC: I Can't Help It
©I Can't Help It
Mimi
Wolske, April 2014
All Rights Reserved
Ohhh,
I can't help it,
you
make me happy
and I
become your
Venus
of poetry
writing
words of
love
I am
a feather
carried
by the wind
whirling
and happy
because
each of your
words
dances in my
heart
I
swirl among stars
entwining
the two
of us
together...
heaven's
blessing touch
you
and me, my
love
(painting by Julio Romero de Torres - Venus of Poetry, 1910)
Intellectual Property Rights:© 1999 – 2014 Mimi Wolske/Mona
Arizona™. All rights reserved.
You may contact me concerning permissions via
email. This copyright notice overrides, negates, and renders void any
alleged copyright or license claimed by any pers on or entity, specifically
including but not limited to any claim of right or license by any individual,
group of individuals, companies and corporations, or web hosting service,
except when I have transferred such rights with a signed writing that complies
with the requirements for transferring the entire copyright as specified in
Title 17 of the United States Code. This includes, but is not limited to,
translation or other creation of derivative works, use in advertising or other
publicity materials without prior authorization in writing, or any other
non-private use that falls outside the fair use exception specified in Title 17
of the United States Code.
If you have any question about whether commercial use,
publicity or advertising use, or republication in any form satisfies this
notice, it probably does not. Violations of intellectual property rights will
be dealt with swiftly using appropriate process of law, probably including a
note to your mother telling her that you’re a thief.
SHORT STORY: Part III from In The Beginning
In The Beginning...
Part III
©Mimi Wolske, March-April
2014
All Rights Reserved
The first incoming comes at three in the morning—when
everyone's asleep. Resonating at a higher frequency than my ears can pick up, I
know the humans won't hear the destruction happening on the outskirt of the
cities until it's too late. I have only half of my people's sentient abilities sense
things going on around me and to blink in and out of existence. I mean, being
half human, I have to really concentrate and when my cell is hit, I sense
without thinking that I am not the target but I could die if I don't move. I
just blink and I'm on the outside looking for safe cover just before the entire
Einstein-Hawking's Brain Probe Institute implodes.
I see a human and I wave my arm to get his attention. By the
time I realize I'm still suffering Akinetopsia from my probe, a human arm wraps
around my waist and pulls me into an opening in the ground. I didn't even see
him move.
"Wow, man. I didn't see you coming."
A laser bomb from a Grey's ship hovering about fifty miles
away lights the sky and the earth rumbles under my feet. It's like the rumbling
experienced from the explosion of earth's volcanoes.
"Morgan; it's me. Ren. You're motion blind, aren't you?
How long ago did they probe you?"
"It was pretty soon after I arrived. They didn't waste
time." I try to smile but I'm pretty sure it looks more like a grimace.
"But, I kept my brain blank. They didn't find out anything from me."
"Good girl."
"Well, that's not exactly true. I did let something
leak." I giggle and Ren pulls me down a long tunnel.
"What?"
"That Appleton has reached her mating season and is
ready to breed warriors and that she's a Reptoid, half Reptilian and half
human, and that thousands of alien Reptilians will be invading soon to mate
with her. Just little things like that." I smile...grimace...again.
"Did the lights just flicker?"
Ren gives me the affirmative sign and then holds one finger
to his mouth for me to be quiet. Then he gives me a sign of two fingers in the
air. What's that mean. I stand still not knowing what to do. He points ahead
and again gives me two fingers. Two what? Two aliens? Two humans? Then he's
gone.
Damn motion blindness. Did his two fingers mean for the two
of us to continue to move forward? If I make any noise, I can compromise our
location. But, I'm more afraid of the Greys and their annihilation of this
underground hiding place than I am of anyone finding us.
The enigma facing us is the clandestine nature of the
underground tunnel. We're without weapons and I more a hindrance than a help
since I can't detect movement. I might be motion blind, but I can hear and
there is definitely something coming our way. Or, am I sensing it? Ren doesn't
seem to be aware of it.
This is a Reptoid/Reptilian camp and military base. Like
Appleton, these aliens are evil and want the nutrients and minerals of this
planet for themselves. The Greys want the whole damn planet; that's why they're
bombing the crap out of it...to make it unlivable for anything but them. They
hate us, the Whites, but they hate the Reps more. To them, humans are slave
workers that can live or die. They don't care. Both the Reps and the Greys want
a radical depopulation of this planet.
There's a monstrous flash of light only feet away from Ren
and then a ten-foot robot rounds a corner carrying a dated laser weapon. I
guess the brightness comes from muzzle flash since it seems to light everything
in the tunnel from Ren passed the robot...and makes Ren vanish for a moment.
Ren screams and I know, I just know, he feels that ice-pick jab in his ears;
and then he covers his eyes... then his ears... then his eyes and I can't tell
if he does it more than once or twice since time and movement seem to stand
still with motion blindness.
I reached him and snatched him backwards a nano second
before another blast from that antique laser shooter and I wanted to scream
with Ren this time. I ran toward the opening, the hole in the ground he's
pulled me through but I wasn't fast enough to avoid the rain of dust and cement
from where the laser hit the wall. The wall collapsed and the ceiling was sending
bullets of steel-reinforced cement down on everything. Caught in the downpour,
the robot falls, but not before releasing his trigger finger, so he blasts the
ceiling near us. The floor below him and his laser is flashing much to
brightly.
I can sense the fear in Ren as he lets me lead him to
safety. He says, "Why is the floor flickering?"
A tearing, deafening pain rips through my brain. I release
Ren. Both fists fly to my temples and I fall to my knees on the floor in
excruciating pain. Ren likes these
strange things called balloons and when I see him waltzing to and fro, twirling
in the air, I have a weird sensation I've just popped him like a balloon. I try
and wrap my brain around that and suddenly everything goes black.
~ ~ ~
I am awakened by a strange noise and instead of my bed, I
find myself underwater. I look up to find an undulating waterscape of reds and
blacks and greens. The Reps have me in one of their banks as future food. I
remember those finger traps Applestone had my twelve digits trapped in and I'm
thankful Ren knew how to release them.
Ren!
Humans can't breathe under water. Did they already devour
him or put him in one of their food banks? My head feels like it's wrapped in
heavy wool and I move in slow motion through the murky water, my movement
destroying the earlier waterscape. My head hits against something mushy hard
and my world swims again. And dims. For the first time in years, I let my antennae
ascend and my mind open so my thoughts can stretch and reach my mother, my
people. I need help.
Morgan's mother and her people
To Be Continued
Intellectual Property Rights:© 1999 – 2014 Mimi Wolske/Mona
Arizona™. All rights reserved.
You may contact me concerning permissions via
email. This copyright notice overrides, negates, and renders void any
alleged copyright or license claimed by any pers on or entity, specifically
including but not limited to any claim of right or license by any individual,
group of individuals, companies and corporations, or web hosting service,
except when I have transferred such rights with a signed writing that complies
with the requirements for transferring the entire copyright as specified in
Title 17 of the United States Code. This includes, but is not limited to,
translation or other creation of derivative works, use in advertising or other
publicity materials without prior authorization in writing, or any other
non-private use that falls outside the fair use exception specified in Title 17
of the United States Code.
If you have any question about whether commercial use,
publicity or advertising use, or republication in any form satisfies this
notice, it probably does not. Violations of intellectual property rights will
be dealt with swiftly using appropriate process of law, probably including a
note to your mother telling her that you’re a thief.
Monday, April 28, 2014
Short Story -- Part II of In The Beginning...
In The Beginning...
Part II
©Mimi Wolske, March-April
2014
All Rights Reserved
Morgan - INALSEAD Agent
I know INALSEAD hired me because of my mixed blood. Hey, I
know I have this albino look...at least I have blue eyes. I look like my mom
and her people—not like that thing Ren dragged back to base.
Any hopes he has of adopting it are killed when two
international police come into Cap's office and take it away. Besides, it
totally does not look like me. It is
dark with dark hair and dark, bug-like eyes...and it's fat. But humans don't
look at differences. We're aliens—we all look alike. That's laughable, but I
don't laugh while Cap scrutinizes me.
INALSEAD still believes I'm going to lead them to where my
mother and her people are hiding. Cap hopes I will, but he knows I won't.
"Look, Cap, Mom's people are not imperialistic. That's one
of those common characteristics forced on them by the UPs, ya know?"
"All I know is I'm under pressure by the Universal
Police to find them and send them to the detention camp for identification and
processing."
Cap's okay, but he's one of those bald, middle-age bosses
who doesn't know how to lead, he likes us all too much...all of us. That's why
I stay. He's on the line, I know it. But, hey, I love my mom. I can get another
job and another boss. I've got just one mom.
"I don't know where they are," I lie.
Cap's office door opens and Ren steps in and closes it behind
him. He looks at me and says, "They're here for you, Morg."
Cap stands and his chair rolls back and hits the wall.
"What the hell did you do now? Dammit, Morgan, I can't keep covering for
you."
Suddenly, the door opens again and two officials and two UPs
barge in. For me, it was like going through a revolving door and nothing making
sense once you make it to the next exit. Here we go again and again and again
and...
"What the—"
"We're here for Detention Hunter Morgan," one of
the officials says.
She says it with a smirk in my direction. Linda Appleton.
She'd been after me since the time she'd been forced to release me so the INALSEAD
could use me to round up law-breaking aliens. I smelled her alien blood the
first time we met. She was a hider, a deceiver, a half-alien, half-human just
like me; except she didn't have a single tell-tale sign. She was even a carded
human. I'll never know how she deceived the blood test because her kind don't
have "blood".
"That's AGENT Morgan, and where's your warrant?" Cap asks, and holds out
his hand.
The other official slaps it into his palm while one of the UPs
pulls my hands behind my back.
"Not that plastic cuff," Applestone gnarls.
"She can slip from those. Here, use these."
I watch as she hands them six woven cylinders. What the hell
are those?
"What the hell are those?" Ren asks.
"Something similar to what the Chinese used hundreds of
years ago and that aliens are unfamiliar with," Linda says. "This is
a variant on their finger trap; this, however, uses even pressure to the digits
and at the same time immobilizes the joints. It serves a similar purpose as the
Chinese's ancient cuffs except not even her strength will be able to break
them."
I feel the UP slide my index fingers into opposite ends of a
cylindrically woven braid, then one each onto each of my remaining four fingers and
finally my opposing thumbs. When he's finished, I react like any captured
animal...I pull and try to break free. They tighten up on each digit and it
feels like they're constricting so tightly they might be cutting off my life juices. I stop.
I hiss at Linda as the UPs pull me pass her. She grins. I
hate this alien-human.
"I'll have you out shortly," Ren says. I appreciate his promises
and loving encouragement.
So what happens when you meet the love of your life and
you're not totally human? I blink both lids and smile. "Sure, Ren. I'll
wait for you down at..." Where was I going?
"Where are you taking her?" Cap demands authoritatively.
God, I love my boss. I think he can read my mind sometimes. I give him a look of acknowledgement.
"The Einstein-Hawking's Brain Probe Institute,"
the other official said.
I look over my shoulder just in time to see that official
point at the warrant he slapped on Cap's hand. Cap opens it and is reading as
they yank me out the door.
I hate that probe. It turns the world into a bizarre
carnival of the absurd for more than seventy-two hours after they're done
probing. It also causes temporary Akinetopsia. That's a neurological reaction
that causes motion blindness in aliens, and for the first day afterwards, it's
impossible to perceive motion. Weird but true and the last time they probed my
brain, I didn't get out of bed or open my eyes for two days.
"Cappppp!" I yell, and struggle against the UPs'
grasp of my arms. I'm strong enough to shake them loose, but they react quickly
and one punches me in the gut while the other holds me.
"Don't try that again or you'll get worse."
"Now, now men. We must be nice to the alien or she
could report us for police brutality." Applestone laughs as if that
statement is a joke.
"As if anyone would listen. Or care," I add the
last statement as a self-pity, negative attention getter.
When Applestone slinks up to my side, I get a whiff of something
foul. She's recently come of age and any alien within a few hundred miles and astute
enough to recognize she is in season will be heading to this encampment. Reptile
aliens, like her, are highly areeusocial and I'm willing to bet my last
Universal dollar she is the single fertile queen here. She's going to be
breeding a caste of warriors soon.
"I should warn the humans about you," I hiss.
"In which of this planet's caves are you going to be having your first
season of sex? It's going to be an extra large and deep one is my guess."
She raises one five-digit hand and strikes my cheek.
"Awww, I think that's going to leave a scar on your pale skin."
My tongue goes to my cheek. I can feel the rise of where one
of her claws dug into my thin skin. I stretch my tongue up to look at it.
There's no blood.
She leans in with a warning look in those unappealing reptilian
eyes and speaks so only I can hear. "Open your mouth to caution anyone,
and you'll be in that cave with me."
Universe Official Linda Appleton
My six-digit hands try to break free of those cylindrical digit
cuffs to no avail. "Keep your forked-tongue threats in your mouth,
Appleton," I sibilate.
There hasn't been an alien-against-alien war since the Great
Universal War of 2315, but if she is, in fact, the queen and is ready to reproduce,
there will be an uprising that will make GUW 15 look like human play. Am I
willing to die in some cave with reptile aliens who want their shot with their
queen?
"Are you ready to die for these low-life humans?"
Part I of In The Beginning... is also posted on this site
Intellectual Property Rights:© 1999 – 2014 Mimi Wolske/Mona
Arizona™. All rights reserved.
You may contact me concerning permissions via
email. This copyright notice overrides, negates, and renders void any
alleged copyright or license claimed by any pers on or entity, specifically
including but not limited to any claim of right or license by any individual,
group of individuals, companies and corporations, or web hosting service,
except when I have transferred such rights with a signed writing that complies
with the requirements for transferring the entire copyright as specified in
Title 17 of the United States Code. This includes, but is not limited to,
translation or other creation of derivative works, use in advertising or other
publicity materials without prior authorization in writing, or any other
non-private use that falls outside the fair use exception specified in Title 17
of the United States Code.
If you have any question about whether commercial use,
publicity or advertising use, or republication in any form satisfies this
notice, it probably does not. Violations of intellectual property rights will
be dealt with swiftly using appropriate process of law, probably including a
note to your mother telling her that you’re a thief.
Subscribe to:
Posts (Atom)









