Saturday, January 10, 2015

Mimi-Mona Poetry: Favorite Parts


©Favorite Parts
Mimi Wolske
Mimi Wolske-Mona Arizona™
All Rights Reserved

Won't you tell me your favorite parts of me?
What are the parts you want to keep?
If you're afraid, then I'll give you mine—
It's your eyes that look at me with love,
Your heart that's fearless as those
Alberta winds in the winter time,
Your silver hair that's always in place,
Your comfy pants that have seen better days,
Your crooked smile like a happy wolf,
That look you get that tells me, yes it says
That you're up to no good at all,
And those ornamental parts of love.
Well, you know in a better light
Everything changes so that  
I will want every part of you...
So you will want every part of me, too.
Let's close the door on good intentions;
We can't be bothered with mistakes made while
Waiting for these things we share to grow,
These feelings written in our blood,
These feelings that touch us to our bones.
Let's turn off the lights and shut the door;
We already have everything we're going to need.
Won't you hold me in your arms and tell me a story,
Or, won't you tell me your favorite parts of me?



Paintings by Hamish Blakely 

Mimi-Mona Erotic Humorous Poetry: Seeing Blue

the vampire diaries animated GIF

©Seeing Blue
Mona Arizona
Mimi Wolske-Mona Arizona™
All Rights Reserved

Morning comes and so I rise
(remember last night),
he didn't, no big surprise.

Have to give the man credit;
he tried very hard—
well, he was affectionate.

Promised me lifetime thrusts;
now he's seeking more
pharmacologists.

I questioned, can this happen?
Has my beauty warped?
Faded? Oh! Where is my talisman?

After our years together,
is he finding me
disappointing? Can I ever be sure?

Gaze at his side of the bed
sighing with relief;
good, he's still here; he isn't dead;

our arrangement's still the same.
Nothing ever changes.
Fate still plays her soft wood game.

Must refill his prescriptions;
he's not getting off.
Tonight he'll give me both guns,

or I'll get my money back.
No sexual bans;
he'll be my sex maniac.

Thursday, January 8, 2015

Mimi-Mona Erotic Poetry: Matinee Love Sessions

©Matinee Love Sessions
Mona Arizona
Mimi Wolske-Mona Arizona™
All Rights Reserved


People tell me it's you who makes me wanna do
all those things I shouldn't, but when you're thirteen
hundred miles away, we need our time to play—
when protestors can never intervene.

Don't say it's useless; it's not wanton wishes...
don't tell me there's too little freedom these days.
It's you who brings night, turns up the Fahrenheit
turning love sessions into matinees.

You can be my Queller, my hypnotic speller;
you can cast your magic charms over me.
Can't we go down that path knowing the aftermath;
won't you let me see your tumidity?

You're no reprobate...you did not perpetrate...
and I have not been vitiated.
I want to hold you; do what lovers do...
I wanna love you 'til we're both sated.


Thursday, January 1, 2015

Mimi-Mona Poetry: If Krasner's Painting Was A Poem

©If Krasner's Painting Was A Poem
(Impressionism Meets Dada via Poetry or Ekphrasis-Poetry Confronting Art)

Mimi Wolske
2015
Mimi Wolske - Mona Arizona™
All Rights Reserved
  


There have been no ends
seized
released
injected with sleep
rampant lucidity
dreams
reality
two states of future
resolve
joy
articulate words
possibility
lost
insistent sentence
Freudian preoccupation
rapid
monologue
throws reticence to wind
hesitant manner
illusion
verve
image assortment
surreal dialectic
in definition
in morals
in the directed dream
how old are you
forty five
houses
poetic listeners
everything is valid
Picasso
Braque
have the same value
sapphire laughter
coffee
beauty
I'm the artisan
I'm the weaver
paint
words
There have been no ends

(shellflower-1947 - lee krasner)

Mimi-Mona Poetry: Nude Smiles

©NUDE SMILES
Mimi Wolske
January 2015
Mimi Wolske - Mona Arizona™
All Rights Reserved


Fire in our bed,
sheets afire,
and the pillows,
bodies, too.
Touch of music
on our skin.
Fire from within
comes and howls
like a wolf.

Weird together
twice each year,
collecting that
next kiss...
like a last breath...
before sleep.
Sex-worn flesh,
the wearers
of lust, of
bonding—
almost bondage.

A gazer's
sequestration
of nude smiles;
arcing dancers
on forever
rented beds.
Action-packed
superman and
wonder woman...
significance glanced.

Cities brighten
unbridled dreams...
destiny—  desire.
Pizza box collections,
side of porn flakes.
Laughing kisses;
shortened horns;
blended summers
and fulfilling falls.
Role-antic memories.


(painting: patterned sheets by Malcolm T. Liepke)



(poetry - From (Mis)Adventures in Poetry by D.A. Powell)

Tuesday, December 30, 2014

Mimi-Mona Poetry: I Long to See

©I Long to See
Mimi Wolske
All Rights Reserved
December 2014
Mimi Wolske - Mona Arizona


When I open my eyes,
I look over
at your pillow
and dream you are there
next to me
Yes, you are far away
but there's something I know...
you will always
be near me
My eyelids fall,
I go back to sleep
and dream you are there
next to me
It's so easy to sleep
dreaming of you and
imagining you are there
near to me
In the cold morning
I look around
and I can see
you're not next to me
Tears are forced from
my eyes waiting
for you to come back
back to me
And I fall asleep
praying you'll hurry
home, knowing you're coming
back to me
That it's all a dream
I'm been imagining,
you will always be
near to me
But I feel the tears
and the ache in my heart
I keep hoping you're not
far from me
A silent promise
passes over my lips
I'll be here until you come
back to me
Then morning comes again
I open eyes and fear
you might still be
far from me
I long to see
if my imagination
played tricks and you're here
next to me
I long to see
I long to see-ee
that you're still here
next to me


Sunday, December 7, 2014

Mimi-Mona Erotic Poetry: Fire

©Fire
Mimi Wolske
Mimi Wolske-Mona Arizona™
All Rights Reserved


Can you feel it,
feel the fire in my heart?
Can you feel it,
feel the fire in my heart?

You got it started,
bringing me out of the dark.
You licked my soul and
Your thoughts are crystal clear
You're giving me every...
ev-ver-ry piece of you.

You should know better.
Never underestimate
what a love like mine
can do when you set a
fire and give me... give me...
ev-ver-ry part of you.

Can you feel it,
feel the fire in my heart?
Can you feel it,
feel the fire in my heart?

Your mobile fingers,
they're teasing my memory,
strumming those tunes I
remember, and you are
bringing me out of the dark
you're leaving me breathless!

You're giving me allllll
It's nothing or it's allllll
Your giving me allllll
You have me heart and soullllll
Think of me, I'll make you burn—
Ev-ver-ry part of you....

Can you feel it,
feel the fire in my heart?
Can you feel it,
feel the fire in my heart?



Monday, December 1, 2014

Mimi-Mona Erotic Poetry: Codpiece Freedom

©Codpiece Freedom
Mimi Wolske
All Rights Reserved



Your smile is in those hazel orbs
Your impish thoughts revealed
You were born to comfort me

I could spend a weekend in your eyes
I could live tangled in your locks
I could spend a lifetime on your lips

I need the steadiness of you
I will give you anything
I need you here, within

I could spend a weekend in your eyes
I could live tangled in your locks
I could spend a lifetime on your lips

That tenderness I see in you
Says you will always be kind
I never liked it fast, I like it slow

I could spend a weekend in your eyes
I could live tangled in your locks
I could spend a lifetime on your lips

Your moves take my breath
You wanna take it slow
I wanna make it last

I could spend a weekend in your eyes
I could live tangled in your locks
I could spend a lifetime on your lips

I thought we would have all night
I was hoping we could linger
Baby, set the codpiece free

I could spend a weekend in your eyes
I could live tangled in your locks
I could spend a lifetime on your lips




(a man's song to a sensuous redhead) 

Mimi-Mona Musings: FADE by Mimi Wolske



Yup, been taking dictation for 1-1/2 weeks from the heroine of my WIP -- I'm beginning to think the 2 of us are not seeing eye to eye on the art of words. 

Which makes me think...there are three important things writers know and do.


Know Your Characters

"I swear, I'm not writing about paint drying," I tell Hollis, the heroine in my WIP.

"But, you need to plant that seed, use that brush stroke, tender the word that is going to leave an imprint," Hollis continued to remind me every hour or so.

"True. Don't worry; be happy. You will have the same open-mouth-insert-foot characteristic you had in The Nobleman, The Husband, and The Inconvenient Wife mystery. But I also have to come up with ideas for and then create 3...THREE...book covers. Okay, four if you want to include the book about your story. So, please, trust me to write you as you are."

It's complicated. There's a relationship between the character and the author, or the poet and the character of her poem. They enable the existence of each other—in a positive way. Then there are times I'm looking one way and she's off moving in another direction... sometimes alone, sometimes with other characters.

I find a problem in writing. 

I know so much more about my characters than I'm able to get on the few pages I'm allowed for their story. For example, things I know, that any author knows about his or her characters (or, at least, strongly suspect). It's never really real until it makes it onto the page. That's because the process of writing is also a process of discovery. Things that do not make it onto the page could be more of a character's back story, what s/he likes to eat, his or her favorite color or book or piece of music, what happens to her after the story ends or before it began, even what he does in bed. 

Things that don't turn up in the book mean only that they didn't make it onto the page or were not relevant to the story. 

Oh, then that means that the character's personalities and what happens in the book are relevant?  Yep, it sure does (see "keep characters...etc. below).

And that's usually when the characters begin arguing with me. But, I know my characters, basically, like any good author does. I know them better than I know myself I think. And, the relationship has to be that way. I always have to know more about each character and what they are thinking and how they will react and act.


Keep Characters and Theme of Story Consistent

Okay...I have to also say that after-the-fact revisionism happens. Take for example Ray Bradbury's declaration that Fahrenheit 451 was not about censorship at all. IF you believe him now, it was about television destroying literature. 

Huh? Yeah. 

Well, that statement is looked upon with utter skepticism by the majority of people because for the last 50 or so years it has been about censorship. Hey, even Bradbury himself explicitly noted it. 

We all know he took a poke at TV in the book, but the core of the story —and what is in the text —is the effect of censorship on his primary character, who himself is a censor. 

It's a free literary world and Bradbury can certainly say what he wants, but his own words and his own character in his text speak against him. I say we go with the text because it doesn't change its mind and readers know and remember.

For example, take the Dumbledore literature news story —J.K. Rowling said Dumbledore was gay. He had always been gay because that is the way she wrote him. 

Hey, she knows him better than anyone. 

Many thought she was making an after-the-fact statement and refused to believe it. 

Her readers knew, though, and many remarked, "well, now, such-and-such a scene makes perfect sense." Critics who say Rowling had no concept Dumbledore was gay now have proof that's not the case. She's got backup in her books.

So, Hollis can argue with me all she wants...some things about her will remain because that is who she is and when she appears in other stories, she will be the Hollis everyone learns to like and roll their eyes or shake their heads at.

Learn To Control Your Characters

Now, the scary thought —your characters finally become full-blown people and they see you as their imaginary friend and you begin to fade away and they take over?

I think about that — a lot! In fact, I'm almost done writing that story! FADE (by Mimi Wolske) will be published 2015. :)


Art by Limeuranite

Wednesday, November 26, 2014

Mimi-Mona Poetry: Crazy Doth Protest too Much, Methinks!



©Crazy Doth Protest too Much, Methinks!
Mimi Wolske
All Rights Reserved
  
Dead frogs on the porch.
It can mean only one thing—
predator has met predator.
C'est what?
Crazy, my cat, was
on the prowl again?
Typically, it is only
dead birds through the cat door;
Crazy gets her Twitterer.
Now, it's a plague of frogs?
See how she walks by them?
Snubs them? Her nose in the air?
Yes, it can mean only one thing.
Crazy doth protest too much, methinks!



(Using the original meaning of "Protest" as used in Hamlet (to vow or declare solemnly) or the current meaning (to deny), Mimi lets you wonder (as the narrator smiles slyly) — was it the cat...or not?)

Sunday, November 23, 2014

Mimi-Mona Erotic Poetry: Spinning Bed

©Spinning Bed
Mona Arizona
All Rights Reserved
  


We tend to get carried away—
naked, you open my robe
to appreciate my nudeness,
permitting both of us
to briskly slip into intimacy,
and I'm not sure we'll recover;
I'm not sure I want to recover.
I close my mouth and speak to you in
a hundred different ways.
I sing to the man in my room —
in my nakedness —the man
who is cupping my hills to the light.
Barely an inch apart, our lips
linger and I sigh for the man
about to demand my mouth,
the man whose breath tickles
the tiny hairs near one ear.
My warm, dulcet voice whispers
words of praise and adoration
when the man before me
pulls my nakedness
into his embrace of passion
with promises of untold
pleasures. The fulcrum of
this man's throbbing heat
forces me to moan as it finds
the pulsing heart of my sex.
The substantial erection of the man
in my room tears loud and forceful
screams from my tight throat
when he throws me into the abyss.
I cry out your name, the name
of the only man with the only cock
who is capable of making the
bed spin in my room, of orchestrating
so many melodic sounds from me.



(erotic painting by Lori Klassen) 

Friday, November 21, 2014

Mimi-Mona Erotic Poetry: Will She Be There Tomorrow?

©Will She Be There Tomorrow?
Mona Arizona, November 2014
All Rights Reserved
  


We'd coffee-housed six cups,
talking and laughing and planning,
never knowing four feet of
snow had suddenly descended.
As we parted,
her to her upstairs loft,
me to find a cab home,
she kissed my cheek
as a sister,
as a mother,
as a concerned friend,
and I left. The outside door clicked
closed behind me and
I took in a sight I had never seen
before —an empty city.
There was no sign
a human had ever visited this
outlandish, white place...
no cars,
no people,
certainly no taxis.

The grainy crunch of too-thin shoes
on fresh, icy snow, the warm, labored
breath of this determined pedestrian, and
the soft expletives of wonder
as each turn revealed
something new,
something refreshed,
something redefined,
were the only noises in this silent city.

I had a long walk ahead of me,
a walk across the ancient heart of the city,
a walk I'd certainly never experience again,
at least, not unprepared for snow.
The wonders of the newly naked city
took me away from my direct route home.
Thankfully, it's always warmer when it snows
and my spirited walking made up for my lack
of gloves,
of hat,
of scarf,
as I kept tramping and crepitating
on my northerly route. I had
a good hour to think about
curling under quilts in my warm bed.

I came upon a park only heard of,
never seen; a park with the only
freshly-created-from-iced-snow
nude statue of a woman
in an arresting pose. She rested
on her right hip, her only contact
with the pedestal she had been placed on,
her shapely legs, toes pointed,
her torso cocked upwards,
her left arm held straight out
along her line of sight,
her fingers cupped as if
she might be sighting something or
holding (contemplating) something invisible.
How delicately iced with snow she was
along her length and yet she lay
as if roughly thrown into the garden.

My steps hurried me to her as she
lay posed on her hivernal emptiness,
delicately iced with snow,
looking both serious and coquettish
at the same time, enticing me to touch
her strident, out-thrust legs,
her tempting nates,
her deliciously carved back,
with no one around to officiously say
"No touching!" I approached her,
reaching one bare hand to her
no doubt frigid, icy flesh.

She looked cold lying there in the snow,
impervious to my reaching hand.
Did she look down at it?
Suddenly, I was embarrassed,
as though she had read my mind
so easily; I looked into her face.
Was it my imagination?
Did she take my ungloved hand?
Did she place it on one of her high, pert breasts?
The tits of a young woman.
The icy cold nipple
sculpted in detumesence,
nevertheless, hard against my palm.
It was a breast that was more
than a handful, if an honest man
would admit he had held and weighed one.

She reminded me of Aristide Maillol's
life-size bronzes of nude women.
Did she laugh? Could she read my mind?
Was it her taking my hand lower,
down to the gentle contours
of a young woman's belly,
up onto the proud haunch
of a woman unafraid of work,
along the calf of a woman
with the strength to keep going,
down to the toes, which I now saw
were splayed in orgasmic bliss?
I was again drawn back to her head
with its peaceful yet puzzling expression.

Heaven help me! What was I thinking?
That she was inviting me to take her
here in this icy garden.
Was she opening her legs for me?
Was I to be her lover?
Was that enigmatic hand grasping
an invisible cock she sought
to pull into her wet mouth? Well?

I must have looked like a fish
out of water with my mouth
opening and closing as I looked
for an answer to her aggressive questions
because, suddenly, she was laughing
that rough, raspy laugh of a woman
laid out in rapture to torture men like me.
It was from that sensual glissade
that I pulled my hand away
and imagined every foul word
louts and perverts would say about her
tomorrow when they saw her,
when they reached out a hand,
when they touched her,
when they stroked her nudeness.

Was she a sweet, innocent woman?
A woman who knew no shame
in her naked body the artist
assuredly did not want sullied
with the lewdness of men,
the blaming of jealous women,
the fantasies of lonely men like me?
Was she looking at me again?
I must have goldfished again ...
Was that her sigh of goodbye?