Showing posts with label erotic poetry by Mona Arizona. Show all posts
Showing posts with label erotic poetry by Mona Arizona. Show all posts

Wednesday, March 2, 2016

© She Get’s A Ten for Commitment and Execution

Provocative with a hint of eroticism, Mona Arizona's poetry never fails to surprise and entertain



A slight abrasion on her knees
Was from weekend prayers,
Or from doggy-style love;
It depended on how her
Weekend went.

Tall, brawny men
Were often her gods,
Were frequently her master;
Self-esteem never stopped
her from submitting to both
With love and appeal.

Though there’s fear in her heart
from improper execution; you see,
She’s a pleaser,
A teaser,
A believer in
Devotion and dominion.

Mona Arizona
All Rights Reserved
(painting: Streetwise by Malcolm T. Liepke, oils on canvas)

Wednesday, February 3, 2016

You Left Me Your Spartacus Kiss

Arguments about erotic love poetry can often be distorted to serve the moral or psychological ends of the readers and the authors of such poetry can be lampooned. But, not all authors of erotic and erotic love poetry write accounts of human sexual relationships in explicit language or write with the intention to arouse the reader sexually. Such poetry used to be called pornographic. This is not a pornographic poem; it is erotic. While straightforward, images from the words are to be interpreted by the reader and each reader's interpretation is personal.




©You Left Me Your Spartacus Kiss

So, isn’t it funny? I found them
at this late date... you left your words
all over me. I’d grown accustom
to them sinking letter by absurd
letter into my skin like some tattoo
I would never be able to erase.
Not as if each word whispered by you
belonged there. That wasn’t the case.
Truth is that pieces of you found
their place in my open, waiting veins;
they flowed to my heart, and were bound
until nothing real about you remains.

Mona Arizona
All Rights Reserved

(painting by Malcolm Liepke)

Sunday, October 11, 2015

Mimi - Mona Erotic Poetry: But You're Her Slave

Warning: Mona Arizona's erotic poem is visually and verbally explicit. Recommended for 18+ years and older.







Ten-finger massage intimacy,
Your mascara stained palms
Hold her tears, cover gazpacho-soiled lips
Disobedient and pleading
As repeating, thunderous claps
Bring her desirous body,
A wantonness body
Regretting its betrayal
Of her proprietous mind,
To climax-induced screams.

©But, You’re Her Slave
Mona Arizona
All Rights Reserved

(Painting by Malcolm T. Liepke)

Thursday, April 16, 2015

Mimi-Mona Poetry - Erotic: He Wanted


 ©He Wanted
Mona Arizona
All Rights Reserved

With a devilish grin
He held her with one hand
With the other stroked her back
Snaking wicked fingers down her spine
Spreading open the cover
Of lustful delights so he might
Unravel the mystery of her
Secrets hidden and pressed like a flower


Mobile lips read her thoroughly
Pressing hers before moving
Down to excite her scented folds
Watching her as she came undone
He was tormented with anticipation
Tempted by her seductive words


Fingers lovingly spread her open
And he read every detail of her experience
Watched as she came undone
His only plan was to master her but
Felt like he was the one being mastered
Taking a deep breath he loosened the reins of control


He flipped her upside down
And shook up her world until
He'd thoroughly read her needs
Fanned her pages as her world spun
Then lingered at the climax of her story
Before telling her, "I'm reading you again."



(the provocative paintings are by Jennifer Maza)

Friday, November 21, 2014

Mimi-Mona Erotic Poetry: Will She Be There Tomorrow?

©Will She Be There Tomorrow?
Mona Arizona, November 2014
All Rights Reserved
  


We'd coffee-housed six cups,
talking and laughing and planning,
never knowing four feet of
snow had suddenly descended.
As we parted,
her to her upstairs loft,
me to find a cab home,
she kissed my cheek
as a sister,
as a mother,
as a concerned friend,
and I left. The outside door clicked
closed behind me and
I took in a sight I had never seen
before —an empty city.
There was no sign
a human had ever visited this
outlandish, white place...
no cars,
no people,
certainly no taxis.

The grainy crunch of too-thin shoes
on fresh, icy snow, the warm, labored
breath of this determined pedestrian, and
the soft expletives of wonder
as each turn revealed
something new,
something refreshed,
something redefined,
were the only noises in this silent city.

I had a long walk ahead of me,
a walk across the ancient heart of the city,
a walk I'd certainly never experience again,
at least, not unprepared for snow.
The wonders of the newly naked city
took me away from my direct route home.
Thankfully, it's always warmer when it snows
and my spirited walking made up for my lack
of gloves,
of hat,
of scarf,
as I kept tramping and crepitating
on my northerly route. I had
a good hour to think about
curling under quilts in my warm bed.

I came upon a park only heard of,
never seen; a park with the only
freshly-created-from-iced-snow
nude statue of a woman
in an arresting pose. She rested
on her right hip, her only contact
with the pedestal she had been placed on,
her shapely legs, toes pointed,
her torso cocked upwards,
her left arm held straight out
along her line of sight,
her fingers cupped as if
she might be sighting something or
holding (contemplating) something invisible.
How delicately iced with snow she was
along her length and yet she lay
as if roughly thrown into the garden.

My steps hurried me to her as she
lay posed on her hivernal emptiness,
delicately iced with snow,
looking both serious and coquettish
at the same time, enticing me to touch
her strident, out-thrust legs,
her tempting nates,
her deliciously carved back,
with no one around to officiously say
"No touching!" I approached her,
reaching one bare hand to her
no doubt frigid, icy flesh.

She looked cold lying there in the snow,
impervious to my reaching hand.
Did she look down at it?
Suddenly, I was embarrassed,
as though she had read my mind
so easily; I looked into her face.
Was it my imagination?
Did she take my ungloved hand?
Did she place it on one of her high, pert breasts?
The tits of a young woman.
The icy cold nipple
sculpted in detumesence,
nevertheless, hard against my palm.
It was a breast that was more
than a handful, if an honest man
would admit he had held and weighed one.

She reminded me of Aristide Maillol's
life-size bronzes of nude women.
Did she laugh? Could she read my mind?
Was it her taking my hand lower,
down to the gentle contours
of a young woman's belly,
up onto the proud haunch
of a woman unafraid of work,
along the calf of a woman
with the strength to keep going,
down to the toes, which I now saw
were splayed in orgasmic bliss?
I was again drawn back to her head
with its peaceful yet puzzling expression.

Heaven help me! What was I thinking?
That she was inviting me to take her
here in this icy garden.
Was she opening her legs for me?
Was I to be her lover?
Was that enigmatic hand grasping
an invisible cock she sought
to pull into her wet mouth? Well?

I must have looked like a fish
out of water with my mouth
opening and closing as I looked
for an answer to her aggressive questions
because, suddenly, she was laughing
that rough, raspy laugh of a woman
laid out in rapture to torture men like me.
It was from that sensual glissade
that I pulled my hand away
and imagined every foul word
louts and perverts would say about her
tomorrow when they saw her,
when they reached out a hand,
when they touched her,
when they stroked her nudeness.

Was she a sweet, innocent woman?
A woman who knew no shame
in her naked body the artist
assuredly did not want sullied
with the lewdness of men,
the blaming of jealous women,
the fantasies of lonely men like me?
Was she looking at me again?
I must have goldfished again ...
Was that her sigh of goodbye?

Wednesday, March 19, 2014

POETRY - EROTIC: Spiked Heels and Cowboy Boots

Spiked Heels and Cowboy Boots
©Mona Arizona, March 2014
All Rights Reserved



We go the distance;
A ride that takes us
From front to front to
Time and places switched,
Pussy teasing wag.
I was the wearer
Of the cowboy boots
The first time we met.
Now I'm bound in spikes
And you wear the boots.
We close the distance—
Wisecrack of our joy
Butted against the
Naked truth of lust—
Not fully exposed
To the road's voyeurs.



Intellectual Property Rights: © 1999 – 2014 Mimi Wolske/Mona Arizona™. All rights reserved.
You may contact me concerning permissions via email. This copyright notice overrides, negates, and renders void any alleged copyright or license claimed by any person or entity, specifically including but not limited to any claim of right or license by any individual, group of individuals, companies and corporations, or web hosting service, except when I have transferred such rights with a signed writing that complies with the requirements for transferring the entire copyright as specified in Title 17 of the United States Code. This includes, but is not limited to, translation or other creation of derivative works, use in advertising or other publicity materials without prior authorization in writing, or any other non-private use that falls outside the fair use exception specified in Title 17 of the United States Code.
If you have any question about whether commercial use, publicity or advertising use, or republication in any form satisfies this notice, it probably does not. Violations of intellectual property rights will be dealt with swiftly using appropriate process of law, probably including a note to your mother telling her that you’re a thie

POETRY - EROTIC: No Multicolored Crepe-Paper Streamers Fluttering Below Air-Conditioner Vents

No Multicolored Crepe-Paper Streamers Fluttering Below Air-Conditioner Vents
©Mona Arizona, March 2014
All Rights Reserved
  


You like me for my pole dances
And the way I fit on your lap...
The way you brush against my peaks.
Well, I sleep beneath trees, don't I?
Our day fumbles toward darkness.
Glamorously amorous, we
Don't wait for the long exposure
That will become an erotic
blur of wrestlers on ruffled sheets.
You're Eros fingering the rose,
A god with wild netherworld lust
That stirs a fire in the wetness.
I'm a temple of love waiting
For you, my octopus lover,
Wanting you to go down like the
God Cupid when he took Leda.




Intellectual Property Rights: © 1999 – 2014 Mimi Wolske/Mona Arizona™. All rights reserved.
You may contact me concerning permissions via email. This copyright notice overrides, negates, and renders void any alleged copyright or license claimed by any person or entity, specifically including but not limited to any claim of right or license by any individual, group of individuals, companies and corporations, or web hosting service, except when I have transferred such rights with a signed writing that complies with the requirements for transferring the entire copyright as specified in Title 17 of the United States Code. This includes, but is not limited to, translation or other creation of derivative works, use in advertising or other publicity materials without prior authorization in writing, or any other non-private use that falls outside the fair use exception specified in Title 17 of the United States Code.
If you have any question about whether commercial use, publicity or advertising use, or republication in any form satisfies this notice, it probably does not. Violations of intellectual property rights will be dealt with swiftly using appropriate process of law, probably including a note to your mother telling her that you’re a thief.